Teri Rueb and Ernst Karel launched Fens, a sound installation for the Back Bay Fens, as part of the exhibition Listen Hear: The Art of Sound at the Isabella Stewart Gardner Museum (March 8 - September 5, 2017). Fens is a free downloadable app available beyond the dates of the exhibition (search "Fens" on the App Store or Google Play Store).

Together with Alan Price and community members in Aberdeen, South Dakota and Standing Rock, ND, Of Land and Dreams: a collaborative mapping project was launched in April 2017. The project looks at the land, water and people of the Dakotas as the focus and symbol of contemporary debates about the environment, and asks participants to consider what dreams the land itself may hold.

From 2014-2016 she was honored to work with members of the Tuscarora Nation who have created a mobile app that geo-locates oral histories of land, water and people to places of cultural significance along the Niagara River. The project addresses cultural and language revitalization through connecting generations within the community.

In 2014 she presented a collaboration with botanist Peter Del Tredici: Other Order
, a GPS-based sound walk set in the Bussey Brook Meadow of the Arnold Arboretum / Harvard University. The project is available as a free downloadable app from the Google Play Store and the App Store. Check the most recent issue of Arnoldia (July 2017) which includes a publication about the project.

In 2013 she completed Grimpant in collaboration with Alan Price while on extended residency at La Panacee in Montpellier, France.

In 2012 she was Artist Resident at the Santa Fe Art Institute where she created a GPS-based sound walk and site-specific sculptural installation No Places With Names in collaboration with Larry Phan and Carmelita Topaha (Diné).

Selected past works include Elsewhere : Anderswo (Oldenburg and Neuenkirchen, Germany), Core Sample (Spectacle Island, Boston Harbor and the Boston Institute of Contemporary Art), itinerant (Boston Commons and Public Garden), Drift (Cuxhaven, Germany), and Choreography of Everyday Movement (Baltimore, MD; Easton, MD; San Antonio, TX).

Trace, set along a network of hiking trails in the Canadian Rockies, was her first GPS-based sound walk created as a new media co-production with the Banff Centre for the Arts in 1999. Trace was ported to a new platform during a residency at the Banff Centre in August 2012 (iOS). Check out the Banff Centre podcast here. A newly designed map and guide to the project is available here.

© George Bouret Photography/Isabella Stewart Gardner Museum
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